RobotParts XXV and XXVI

Thus, we've arrived at the end of Act Two,
The Solution. I think it's only fitting to have an update to celebrate the supposed Mayan apocalypse since
Robot started production on the previous doomsday (Rapture Day, 5/21/2011).
Act Two clearly shifted the focus of the story (and, by extension, the comic series as a whole) from Apple to Edward. It really, sort of, tries to do a lot of things at once, in terms of story progression and character development, while attempting to keep the overall feeling of the story light and humorous. Act Two's production began August 26, 2011 and went until August 31, 2011. This was the quickest turn around in terms of writing and artwork because I was pretty jazzed about the story progression. Around this point, I had begun to formulate my end goal with this story, and eventually knew how it was going to end. However, the school year began and
Robot was put on hold, indefinitely. During the hiatus, I kept brainstorming how to move on from Act Two into Act Three, which left me dead stumped for a few months. Around the start of January 2012, I began to clean up
Robot so that I felt like I was making
some progress. I cleaned all the way to Part XIV and sent it off to District by the end of February, where it began its run in April. Around this time, I had finally figured out how to move the story forward.
Production picked back up on April 25, 2012 with Part XVIII. From there, it continued relatively uninterrupted until Act Two's completion on May 5, 2012.
Some notes on Act Two overall:
- As previously stated, Act Two shifted focus of the comic series away from the titular character in order to focus on Edward's personal development. By the end of Act Two, I was getting seriously concerned about how I would bring the story back to Apple.
- I made the decision to make Edward a Power Ranger, and effectively change the course of the story, when I was watching the first season of Mighty Morphin Power Rangers on Netflix during the summer of 2011. When the idea was planted in my head, it made me giggle with excitement and I knew that I was on the right track.
- The reason why I hit a road block after Part XVII, was because I wasn't sure about how to go about showing the Green Ranger leaping into battle. In the end, I decided to just use a jump cut sort of transition that was used pretty often in the show.
- There are a few instances of symbolism floating around Act Two. However, they don't become apparent or get explained until the end of Act Three.
- On the whole, I feel like Act Two flows better than Act One.